December 21, 2015
Using traditional tertian structures inside the diminished scale to bring out melodies that are asymmetrical for less predictable diminished scale melodies.
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September 24, 2015
Original solo on the chord progression to "Take the A Train," using only arpeggios, passing tones, and neighbor notes.
February 9, 2011
Saxophonist Sonny Stitt outlining a set of substitute triads on the first four bars of a blues in C
February 8, 2011
Herbie ends his chorus on Shorter’s “Fee Fi Fo Fum” with this memorable triplet polyrhythm that is derived from rhythmic groups of four in B Lydian.
tim@timfischermusic.com
Tim Fischer