February 9, 2011
stitt
Saxophonist Sonny Stitt outlining a set of substitute triads on the first four bars of a blues in C
 
February 9, 2011
warnered
Marsh's use of odd-group accenting is a common device of the Tristano school.
 
February 8, 2011
tristano
Konitz’s line demonstrates surrounding chord tones with neighbor notes and chromatic approaches, a typical bebop device.
 
February 8, 2011
waynespeaknoevil
Herbie ends his chorus on Shorter’s “Fee Fi Fo Fum” with this memorable triplet polyrhythm that is derived from rhythmic groups of four in B Lydian.