May 21, 2015
A seven measure line full of great bebop devices delived with a strong sense of swing.
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May 8, 2015
Rodes' solo contains pentatonic licks, the G whole tone scale, and bebop-inspired chord running
February 9, 2011
Saxophonist Sonny Stitt outlining a set of substitute triads on the first four bars of a blues in C
February 9, 2011
Marsh's use of odd-group accenting is a common device of the Tristano school.
February 8, 2011
Konitz’s line demonstrates surrounding chord tones with neighbor notes and chromatic approaches, a typical bebop device.
February 8, 2011
Herbie ends his chorus on Shorter’s “Fee Fi Fo Fum” with this memorable triplet polyrhythm that is derived from rhythmic groups of four in B Lydian.
tim@timfischermusic.com
Tim Fischer